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| 文藝復興名曲101（6CD）

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| 曲目 文藝復興名曲101
| 求主垂憐、彌撒曲、綠袖子、牧歌、魯特琴之歌 等
| Renaissance Masterpieces 101
| 演出者 眾多藝人
| Various Artists
| 本集精介 　　「文藝復興」指的是十四世紀末到十七世紀歐洲「復興古希臘、羅馬文明」的文化運動。「文藝復興」的涵意是「重生」，但是這個變革沒有把歐洲帶回古社會，而是開啟了近代文明。
| 　　文藝復興的音樂中心約在法國南方、荷蘭、比利時附近，音樂家們致力於把未系統化的音樂加以整理，建立規則理論，為西方近代音樂建立基礎；音樂創作則以宗教彌撒曲和世俗的「牧歌」為兩大代表音樂，而這兩種音樂又彼此微妙的互相影響。
| 　　以宗教音樂來說，羅馬樂派的帕勒斯提那引進世俗牧歌的抒情優美，再加上精巧的聲部處理與裝飾音，使其作品成為聲音的聖像，脫離葛麗果聖歌的肅穆。帕勒斯提那的作品多達六、七百首，影響深遠。另一方面，眾商雲集的威尼斯發展出有別於羅馬，更華麗多彩且龐大的「威尼斯樂派」，代表作家是加布里耶利。由於在表演形式上的冒險企圖心，器樂發達自不在話下，威尼斯也在日後成為器樂重鎮。
| 　　「牧歌」是一種世俗情歌，內容包羅萬象，體裁不若宗教音樂精緻，但是就精神來說，「牧歌」才是文藝復興精神之最，以歌詞把情感交織到音樂裡，其中最有名的是文藝復興晚期的蒙台威爾第。牧歌的唱片相當多，今人多用美化的歌聲和器樂來演出，別有一番脫俗風味。
| 　　「文藝復興」發現了藝術上的新大陸，讓西方現代音樂尋得柳暗花明之路。而這套專輯所選出來的，即為文藝復興時期各個地區代表性作曲家的宗教音樂或牧歌，包括義大利阿雷格里、帕勒斯提那、蒙台威爾第；西班牙維多利亞；英國泰利斯、威廉‧伯德、道藍、紀本斯、莫雷；法比作曲家若斯坎……等人的作品。其中特別值得一提的，即是收錄了兩位中世紀作曲家Francis Cutting與John Johnson編曲的兩個《綠袖子》版本。
| 曲目順序 CD 1 68.55
| GREGORIO ALLEGRI 1582–1652
| 1 Miserere 11.14
| Saul Quirke treble
| Westminster Cathedral Boys Choir / Stephen Cleobury
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| GIOVANNI PIERLUIGI DA PALESTRINA c.1525–1594
| 2 Tu es petrus — Motet 3.50
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| Missa “Tu es Petrus”
| 3 I Kyrie 4.36
| 4 II Gloria 5.05
| 5 III Credo 8.34
| 6 IV Sanctus – Hosanna 2.38
| 7 V Benedictus – Hosanna 3.08
| 8 VI Angus Dei I 2.37
| 9 VI Angus Dei II 2.41
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| TOMAS LUIS DE VICTORIA 1548–1611
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| 10 O Quam Gloriosum est Regnum — Motet 2.41
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| Missa “O quam gloriosum est Regnum”
| 11 I Kyrie 2.01
| 12 II Gloria 4.08
| 13 III Credo 6.25
| 14 IV Sanctus – Hosanna 2.57
| 15 V Benedictus – Hosanna 2.17
| 16 VI Angus Dei 4.03
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| The Choir of King's College, Cambridge / Stephen Cleobury
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| CD 2 59.20
| THOMAS TALLIS c.1505–1585
| 1 Spem in alium 8.52
| 2 Lamentations of Jeremiah I (ed. Philip Brett) 7.33
| 3 Lamentations of Jeremiah II (ed. Philip Brett) 12.46
| 4 Videte Miraculum 10.42
| 5 Dum Transisset Sabbatum 7.53
| 6 Honor, Virtus et Potestas 6.33
| 7 Loquebantur variis linguis 5.01
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| The Choir of King's College, Cambridge / Stephen Cleobury
| CD 3 66.08
| WILLIAM BYRD c.1540–1623
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| Mass for Five Voices
| 1 I Kyrie 1.38
| 2 II Gloria 5.04
| 3 III Credo 8.30
| 4 IV Sanctus 2.30
| 5 V Benedictus 1.31
| 6 VI Angus Dei I 3.57
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| Mass for Three Voices
| 7 I Kyrie 0.38
| 8 II Gloria 4.41
| 9 III Credo 7.12
| 10 IV Sanctus — Benedictus 2.46
| 11 VI Angus Dei I 3.52
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| Mass for Four Voices
| 12 I Kyrie 2.12
| 13 II Gloria 5.40
| 14 III Credo 7.45
| 15 IV Sanctus — Benedictus 3.49
| 16 VI Angus Dei I 4.23
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| Choir of Winchester Cathedral / David Hill
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| CD 4 60.13
| MARCHETTO CARA c.1470–1525?
| 1 Poiche in van mia mente sogna* 2.21
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| FRANCESCO DA MILANO 1497–1543
| 2 La Spagnia* 2.31
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| JOAN AMBROSIO DALZA fl.1508
| 3 Piva* 2.07
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| NICOLO BROCHUS ?
| 4 Tientalora* 3.07
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| London Early Music Group / James Tyler
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| ROBERT PARSONS c.1535–1572?
| 5 Ut Re Mi Fa Sol La 4.36
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| JOHN TAVERNER c.1490–1545
| 6 In Nomine 1.57
| Amsterdam Loeki Stardust Quartet
| CARA
| 7 Per fuggir d'amor le punte* 4.21
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| VINCENZO CAPIROLA 1474–after 1548
| 8 Balletto* 2.10
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| FRANCESCO PATAVINO c.1478–c.1556
| 9 Vrai dieu d'amour* 3.39
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| ANONYMOUS
| 10 Basela un tratto* 1.38
| London Early Music Group / James Tyler
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| HUGH ASTON c.1485–1558
| 11 Hugh Ashton's Maske (dubious attrib.) 3.06
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| ROBERT WHITE c.1538–1574
| 12 Fantasia III 2.54
| Amsterdam Loeki Stardust Quartet
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| JOHANNES GHISELIN fl. 1491–1507
| 13 La Spagna* 3.20
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| JOSQUIN DES PRES c.1455–1521
| 14 Fortuna d'un gran tempo* 3.11
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| JOHANNES MARTINI c.1440–1498
| 15 Nenciozza mia* 2.20
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| CAPIROLA
| 16 Padoana* 2.58
| London Early Music Group / James Tyler
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| JOHN BALDWIN before 1560–1615
| 17 Upon salva nos 2.52
| 18 Upon in Nomine 2.17
| Amsterdam Loeki Stardust Quartet
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| JOSQUIN DES PRES
| 19 Scaramella va alla Guerre* 2.04
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| HANS JUDENKUNIG c.1450–1526
| 20 Rosina* 3.00
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| MICHELE PESENTI c.1470–after 1524
| 21 Che faralla, che diralla* 3.44
| London Early Music Group / James Tyler
| CD 5 72.14
| FRANCIS CUTTING fl.1583–c.1603
| 1 Greensleeves* 1.35
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| JOHN JOHNSON c.1541–c.1594
| 2 Greensleeves* 3.59
| Anthony Rooley, James Tyler lutes
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| JOHN DOWLAND 1563–1626
| 3 If My Complaints Could Passions Move* 3.23
| 4 Can She Excuse My Wrongs* 3.01
| Consort of Musicke / Anthony Rooley
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| ANONYMOUS
| 5 Galliard* 2.18
| 6 A Merry Mood* 1.29 Anthony Rooley, James Tyler lutes
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| JOHN DOWLAND 1563–1626
| 7 Come Again: Sweet Love Doth Now Invite* 4.33
| 8 Come Heavy Sleep* 4.29
| Consort of Musicke / Anthony Rooley
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| ANONYMOUS
| 9 Jigge* 1.36
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| DOWLAND
| 10 Master Piper's Pavan* 4.16
| Anthony Rooley, James Tyler lutes
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| JOHN DOWLAND 1563–1626
| 11 I Saw My Lady Weep* 5.59
| 12 Flow My Tears* 4.38
| 13 Sorrow, Stay* 3.52
| Consort of Musicke / Anthony Rooley
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| DOWLAND
| 14 Lord Willoughby's Welcome Home* 2.36
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| THOMAS ROBINSON c.1560–1610
| 15 A Toy: Bo Peep* 1.36
| Anthony Rooley, James Tyler lutes
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| JOHN DOWLAND 1563–1626
| 16 Fine Knacks for Ladies* 2.08
| 17 Farewell Too Fair* 3.49
| Consort of Musicke / Anthony Rooley
| JOHNSON
| 18 The Delight Pavan & Galliard* 5.16
| Anthony Rooley, James Tyler lutes
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| JOHN DOWLAND 1563–1626
| 19 Me, Me and None But Me* 2.51
| 20 Weep You No More, Sad Fountains* 3.53
| Consort of Musicke / Anthony Rooley
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| JOHN DANYEL 1564–c.1626
| 21 A Fancy* 1.04
| 22 Passymeasures Galliard* 3.53
| Anthony Rooley, James Tyler lutes
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| CD 6 66.33
| ORLANDO GIBBONS 1583–1625
| 1 The Silver Swan* 1.17
| 2 What Is Our Life?* 4.11
| 3 Fair Is the Rose* 3.14
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| JOHN WILBYE 1574–1638
| 4 Weep, O Mine Eyes* 2.06
| 5 Draw on Sweet Night* 4.42
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| THOMAS MORLEY 1557–1602
| 6 No, No, No, Nigella 3.00
| 7 In Every Place 2.23
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| CLAUDIO MONTEVERDI 1567–1643
| 8 Ah dolente partita 3.12
| 9 Sfogava con le stelle 3.20
| 10 Io me son giovinetta 2.14
| 11 Si ch'io vorrei morire 2.56
| 12 Cruda Amarilli 2.37
| 13 Ch'io t'ami 1.54
| 14 Amor se giusto sei 3.27
| 15 Questi vaghi concenti 6.10
| 16 Con che soavita* 4.44
| 17 Mentre vaga Angioletta* 8.36
| 18 Chiome d'oro* 2.58
| 19 S'el vostro cor, Madonna* 3.32
| Consort of Musicke / Anthony Rooley

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